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Showing posts with label Sep 2015. Show all posts
Showing posts with label Sep 2015. Show all posts

Wednesday, 30 September 2015

Annika Lönnblad.

One more submission that just bearly got in before the end of the month.

Annika Lönnblad.


I'll take this opportunity to thank everyone for celebrating this, our one year anniversary month, either by submitting some art or by doing a little extra damage to your liver.

Tomorrow will see a return to the traditional format, with a theme that might just blow your mind apart!
It's unlikely but who knows what I'll come up with between then and now.

Thursday, 24 September 2015

Robert P. Ryan.

Here's my themeless piece.

Robert P. Ryan, Oil on Canvas.

Just under a week left in this, our first anniversary month. Lotsa time for getting some art made, but not too much for procrastination. Remember: whatever you make, whether you love it, hate it or are just brutally indifferent towards it, it's great that you made it and even better if you share it. So come on, Try Square.

Wednesday, 16 September 2015

Sinead Hanrahan.

Nobody's going to rain on the Sinead parade... with this cascade evade (I'll stop now).

Sinead Hanrahan, Pen, Felt-Tip Markers and Chalk Pastels. 

She writes that this is an "illustration of all of the rain-phobic nonsense people are spouting around town today" and that she is a fan of the rain. This picture may have me swayed.

Thursday, 10 September 2015

Lette Moloney.

Pheasant noise! Pheasant noise! Pheasant noise!
A new Try Squarer (Square Trier? No, Try Squarer) hucks some art your way today. Lette Moloney gives us this image of a European Cock Pheasant.


Lette Moloney.


For more of her work be sure to check out her blog and her art and photography Facebook pages. And hopefully her work may pop up here again too.

Thursday, 3 September 2015

Patrick Edmund Lynch.

The champagne has now been popped. Patrick Edmund Lynch gives us our first square of our second year. The party's started but Patrick's up on the dance floor all alone. Who'll be brave enough to join him? You? Me? Some other person? I can't wait to find out.

Patrick Edmund Lynch, "Unlucky for Some", Ink and Digital.


I really like how his work sometimes looks as though we are focusing in on one part of a larger process. The finished piece springing from its conceptual ancestors... or whatever.